Blind Shows Its Multiple Personalities with U.S. of Tara Promo

Blind Director Tom Koh is helping to ramp up the second season of the hit Steven Spielberg produced Showtime series United States of Tara with a :55 promo that cleverly portrays the multiple personality disorder of main character Tara Gregson (Emmy Award-winner Toni Collette). Blind tapped into its own multiple personalities to produce the spot in a tight timeframe, handling all production, editorial and post/FX to create a flawless and riveting combination of live action and CG. Koh served as both director for all live action and creative directed for the entire post/FX process.

Out of the Box is a rapid-paced overview of Tara's mind, told through scenes contained within a rotating cube. As the cube revolves, various environments are revealed, each one holding one of the Tara's alters or representing a memory from her family life. Among the scenes, this colorful mix of live action and CG portrays Tara's alters: "Buck" the tough alpha male, "Alice" a June Cleaver-like vixen, "T" a mischievous adolescent flirt, and, finally, "Shoshanna" a new alter who will be introduced in this upcoming season.

Koh worked closely with the creative team at Showtime to flesh out the cube concept, a metaphor for Tara's own compartmentalization of her different personalities. "Showtime came to us with this idea and we figured out how to provide the concept with a story and bring it to life through animation," noted Koh. "We created 3D models of the different rooms in pre-vis and worked closely with the network creatives to ensure that we were building something that suited their vision."

The production process was a triumph of time and budget management. From the time Showtime approached Blind with the concept until the shoot date was a mere three weeks, a timeframe that had to include creative conception, pre-vis, and preparation for the technically complex sequence. Adding to the pressure, talent management mandated Koh would have only eight hours to shoot all 24 live-action sequences with nine total camera setups. At the nexus of budget and creative challenges, the studio had to figure out how to do a motion-control shoot without the time to work with a motion-control rig, an obstacle surmounted with extensive pre-vis and detailed preparation with the DP, VFX Supervisor, 1st AD and Line Producer. The post and edit processes faced similar time constraints.

To facilitate the rapid shoot, Blind minimized the props - beds, tables, couches - on the set, shooting all of the live action against a green screen and adding the bulk and detail into the scenes in post with flawless CG. The rooms themselves were built entirely in CG, and Koh's team lit, textured, and animated them through a combination of CINEMA 4D and Maya. All other post work was done in-house, including 3D animation, color correction, lighting and compositing with a combination of AfterEffects and Flame.

"This shoot was technically complex on many levels, and it is a great showcase of Tom's leadership, problem-solving ability, technical proficiency, and comfort overseeing both a live-action team as well as designers, animators and compositors in post," stated Blind EP David Kleinman. "Not only is Tom proficient in the technical realm, he's also incredibly creative, and this is clearly evident in the way he provided a narrative core for each of the rotating visuals."

The spot follows a recent package of DirecTV spots that Koh and the team at Blind similarly produced from concept to completion. "We received great feedback from the DirecTV campaigns and we're hopeful there's a similar reception this time," continued Kleinman.

"From the initial pitch through final delivery, Tom and everyone at Blind were wonderful collaborators who did an incredible job of bringing our vision to life - we couldn't be happier with the results," noted Showtime Sr. Creative Director Erik Friedman. "Tom's wonderful imagination and creativity combined with his complete understanding of the complexities of the shoot and all the post production details made him the perfect person to handle the difficult task of visually representing the complex nature of Tara's multiple personalities in a bold, striking and visually unforgettable way. This was our first project with Blind, but hopefully just the first of many."

The spot will debut Dec. 11 online and on TV, with a :30 and :25/:05 version to follow in coming months.

Credits:

Spots Title: Out of the Box
Air Date: December 11, 2009

Client: Showtime Networks, United States of Tara
Sr. CD: Erik Friedman
Writer/Producer: Vedia Ayvaz
Art Director: Tony Castellano
Line Producer: Lorraine O'Connor
Line Producer: Diana Roach

Prod Co: Blind
Director: Tom Koh
DP: Bengt Jonsson
EP: David Kleinman
Line Producer: John Gomez
Prod. Supervisor: Alisa Kimble

Editorial: Blind
Editor: Carsten Becker
Assistant Editor: Lin Wilde
Producer: Keith Bryant

Post/Effects: Blind
CD: Tom Koh
EP: David Kleinman
Head of Production: Amy Knerl
Producer: Keith Bryant
FX Supervisor: Greg Lukomski
Lead Designer: Tom Koh
Designers: Steve Pacheco, Matthew Encina
Lead Animator: Jason Kim
3D Animators: Matthew Encina, Penny Zee Nederlander
Compositors: Tom Koh, Matthew Encina, Jason Kim, Penny Zee Nederlander
3D Modeling: Jason Kim, Penny Zee Nederlander, Tom Koh, Nick Smith
CG Tracking: Greg Lukomski
Rotoscoping: Owen Hammer, Lin Wilde

Sound Design/Audio Post: Broadway Sound
Sound Designer/Mixer: John Crenshaw

About Blind:

Blind, a multi-disciplinary design, motion graphics, animation, visual effects, live-action, editorial, print and broadcast design studio with offices in Santa Monica and NYC, taps into diverse intellectual and creative resources to come up with compelling results. Since 1995, Blind has been pushing beyond the expected, offering clients a new way to see with award-winning design. A few things remain constant amidst this design/production powerhouse's constant drive to reinvent itself: the abilities to engender surprise and produce projects from conception to reality.

Blind's creative team has built an uncommon level of respect in the advertising and entertainment communities via cutting-edge campaigns for brands such as Xbox, Showtime, Bright House Networks, DirecTV, OppenheimerFunds, McDonald's, Scion, and recording artists including Gnarls Barkley, The Raveonettes and Justin Timberlake to name a few.


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